Coming along splendiferously

'Autumn Splendour' is progressing nicely.....this is how it looks after a sewing session at quilt group on Tuesday.

It is now 32 inches square; the Maple Leaf blocks are eight inches finished.

This is how it will look with the next square round added.  Two opposite corners have three Maple Leaf blocks each, while the leaf print strips and some more HST blocks make up the sides......I couldn't resist trying it out.

It is looking browner than I had hoped, although some of those autumn prints are quite bright - but then, the lighting in the spare bedroom is a bit dull on this cloudy day and the background fabrics are light tan/beige rather than blinding white.

The original quilt, published in a magazine, used much brighter colours - red, yellow, green, orange - and brighter background fabrics too, but it said "spring" rather than "autumn" to me, despite the leaf blocks.  The colours in my quilt are much more the colours we have seen during our autumn visits to Canada with brighter colours popping out here and there among brown oak leaves, some yellow/green and orange leaves.....and, of course, red maple leaves.

How have you all been?  We are well, my recalcitrant knee is still firmly attached thanks, no doubt, to the exercises which are diligently done daily.  The usual hunting and gathering was done with an eye to "what do we need to take away with us" shopping as well, as it's only ten days until we leave.

Diamonds have been cut but none sewn, they are being saved for holiday sewing.  Stitches have been knitted and the ribbing on the back is now complete, so the next row will start the stocking stitch section.  Words have been read.  Notes have been plinked and sewn.

Our trip away needs some thinking as a few Occasions need to be organised.  The day after we arrive in Canberra will be our son's birthday - we don't get to celebrate with him in person very often, so a table has been booked for lunch at a pub which we like and where our son hasn't eaten.  The One And Only Grandkid will be joining us too.  

My performer ticket for the folk festival at Easter has been downloaded and printed; strolling around wearing a 'performer' wristband is a thrill I never tire of, I can tell you.  My entry for the Eisteddfod in June has gone in, so once again I will be making a fool of myself in public.

And - we have our (free) tickets organised for the National Gallery of Australia, where the Rajah Quilt will be on display!  I was lucky enough to see it many years ago when it was part of a touring exhibition; we were living in the Big Smoke and drove 90 minutes south to see it.  Each and every one of those 90 minutes was worthwhile.  I had trouble tearing myself away....there is so much to look at, so many fabrics (the backs of some fabrics are used, the conjecture is that lighting in the bowels of a convict ship wasn't very good), so much colour....some of the patches are bright yellow/gold.  There is a replica in Canada, held in the Elizabeth Fry Society in Ottawa; we learned at school about Elizabeth Fry and her organisation which helped convicts, women convicts in particular, on those long voyages to the other side of the world.

One of Kevin's ancestors, a Irish woman named Mary Heffernan, arrived in Tasmania in 1841 - but not on the 'Rajah'.  She seems to have been quite a woman who, even after her marriage, was often up before the court on charges of prostitution, drunkenness or fighting.....no quiet life for Mary, it seems, although she did eventually settle down to marriage and family.  Perhaps - sewing patchwork may not have been her thing?

Continuing with Etiquette of Public Places, Invitation to Opera or Concert:

"It is the gentleman's duty to secure good seats for the entertainment, or else he or his companion may be obliged to take up with seats where they can neither see nor hear."

If that is the case - there is no point attending, is there?  One may as well stay home and entertain one's self.

Enjoy your days!

Jennifer